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If timing is everything, Tze Chun takes a trade with his first feature film, "Children of the invention," a timely tale of two Chinese-American tykes into the vortex of a perfect storm of foreclosures, unemployment and swept the Ponzi. With subtle twinkle Truffaut "The 400 Blows", Chun brings vividly in the minds of children too young to understand why they their home, father and child to an economic system that rewards crooks and lost punished the innocent. While their classmates frolicking without a care, Raymond (10 years, Michael Chen) and Tina (Crystal Chiu 8 years) are forced to survive on a steady diet of ramen noodles while her mother blurted, Elaine (Cindy Cheung), a recently divorced woman says naively get-rich quick. Tze proves himself a master in the depiction of hunger, loneliness and frustration of the children in a series of harrowing scenes in which they spend hours in the back of the car left while Elaine actively sold door-to-door franchise cosmetics as poor and gullible, as customers. Not that "home" is Piper. Or at least that's what they call home, which is a model apartment in a residential complex suburb of Boston, which is scrapped by investors until the economic recovery was.
While they are not just the squatters, living there secretly by a friend who asks that they only covered enough, so no one will see the light that shines from the inside window to keep avoid. This is the metaphor of the people on the edge of the masked effectively satirize nothing better kept as an immigrant in a self-imposed isolation like Tze intention of the Lou Dobbses would the world. It will seriously ask how life in the United States is for Elaine and her children it would be better in Hong Kong, a city ruled communist tired man fled a long time ago for this reason. Even more interesting is the way faces Tze Elaine plan rich by mixing pyramid style cash through his involuntary investors (Goldman Sachs) to get to finance in relation to his son,
to build, market and sell a nice gadget small fronds noodles. Raymond is, of course, that the experiences are used by migrants to look like in the day when some of our greatest inventions were of people who also developed fled to our shores countries. And ambiguous title of the film, but there is much more on the agenda than just Tze subtle political messages and picturesque views of Boston and the South Shore. There are also a lot of heart, with an emotional resilience and courage tribute children, particularly son and daughters of immigrants of the first generation