With Saturday Night Live plants of the original platform, Kristen Wiig and Bill Hader is comedy career enjoyed in Hollywood, as well as the front and back of the camera. We can imagine the initial shock in her latest film, a small nature of the drama Skeleton Twins, are found, when it opens in a couple of attempts to commit suicide at the opposite ends of the country. Alienated decade Milo (Hader) comes from bad broke up with her boyfriend in Los Angeles, while Maggie (Wiig) is marital problems in New York, and the left hand feel relatively aimless, when it comes to their lives. When Milo failed wrist-cutting allows the hospital to his sister's attempt to suspend down a handful of pills, they are combined. As expected, the reasons for their common depression is slow (and a little too clean) showed. That sounds pretty bad opening grumpy central story, Craig Johnson screenplay gives the room a welcome comedy overtones, with much praise goes Hader and Wiig ability to create this delicate balance. Returning to New York State in the north of his hometown - where Maggie is currently well-intentioned in his laced husband (Luke Wilson) live - painful childhood begins layers slowly pull back.
Maggie take scuba diving lessons his mentor, Billy (Boyd Holbrook) a little to connect too obvious a subplot that the secret by Milo desire more revealing, with the local booksellers (Ty Burrell), a key figure in his past.We can not what Maggie and Milo is gone, but if you have siblings, Johnson cleverly captures the love-hate feelings probably be many - in a rousing lip-sync rendition of Starship completely encapsulated "Nothing will stop us now" with their relationship finally fully recovered to feel. Provides easy access to the deepest, sincere laps, Hader and Wiig really cares dysfunctional relationship that provides the give and take of humor (Milo said, "I can not wait, creepy gay uncle be" when he learns Maggie intention to become pregnant), and devastating drama (particularly enlightening the scene of their lackluster mother of Joanna Gleason played). Manuscript Johnson and Mark Heyman not necessarily enter into a new area, but it is of two main events to life what could have easily detected, quirky, twee indie increased. Unfortunately, the nice way it all fits together, as we wind down gel the third act, not necessarily in their dark subject matter. Technical approach Johnsons become more common, not unlike the Duplass brothers produced the film, The Skeleton Twins could have used turbulent hand behind the camera that comes in the arches with the ups and downs of our results.